The artist known as RES, born Raul Stolkiner in Argentina in 1957, studied both
photography and economics, which influences his work through the idea of an
economics of ideas. This first critical anthology of his career gathers nine
series of photographs -- Where Are They & Magnets, Pardiez! (By God!),
Pretty Little Plastic Thingy, DNSCTTH, On Jorge L. Borges, Me-Cactus, Between is
Nothing, Hern n CortEs' Route, and his latest, Conatus. That most recent and
perhaps most intense entry recreates--in detailed costume, makeup, lighting and
composition--iconic pieces of western art, widely acknowledged masterpieces by
painters such as Velazquez, da Vinci and Picasso. Each portfolio is introduced
by a short text key to its interpretation. And how to interpret the title? The
Useless Truth refers to art's ability to highlight the irrelevance of
information, a truth RES points out is just as useless as any other while it
remains locked away in the autonomous field of art.
>>>Raúl Eduardo Stolkiner
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